fbpx
Long Live the Valholla Empire
Long Live the Valholla Empire
wga sag-aftra strike

Yes, the existing streaming model is a huge part of the problem

Last week I posted a video on TikTok and Instagram that got some pushback. It was in connection to the WGA and SAG-AFTRA strike that’s been going on for the past week. I concluded that one of the main issues currently happening in Hollywood is the streaming model, and I suggested we go back to an ad model to ensure actors and writers received royalties and better pay.

Whew, this got a lot of push back (see video below). For starters, I’m not sure why people think I’m not on the side of writers and actors but I’m making an attempt to correlate issues with a possible solution. Also, in the video, I said that the only streaming service that’s profitable was Zeus, but according to IndieWire Hulu and Netflix are the only major streaming services that were. They also suspect that other smaller streaming services are profitable but it’s unknown because of these private companies don’t reveal this kind of information often.

This sounds like music streaming. The costs to license and maintain these platforms are high and as a business, you could understand why royalties would decrease under this model while still being on the side of actors and writers. Back before streaming, a movie was released in theaters, then to second run theaters then it went to home video. After all that, movies are licensed to pay television networks like HBO and Showtime. Then at the end of the movie’s cycle, which could be years later, the film ends up on a basic cable network and or network TV. While all of this happens, people also get to rent these titles at stores like Blockbuster. Streaming broke this cycle completely.

One of the demands made by WGA and SAG-AFTRA are an increase in pay and residuals. An overwhelming amount of people think greed is causing this shortfall in pay but two things can be true at the same time. I believe the streaming model as we know it has to change in order to compensate for streamings limitations. If anyone thinks this can happen from subscribers alone are ignoring the fact that there isn’t much profit, if any, that is coming from the model people expect to draw from. Again, I’m all for people getting an increase in pay, but I think writers and actors should also demand multi-tiered models for all streamers to ensure that the business they work in can operate profitably and, so all writers and actors can earn a living wage. Pay the writers and actors but also, fix the streaming model.

@vincevalholla

♬ original sound – Vince Valholla

adam dollars boomerang 3.0

Adam Dollar$ is back with the third installment of his Boomerang series

Baton Rouge based Adam Dollar$ just released Boomerang 3.0, which serves at the 3rd installment of his series starting from the 2019 release, ‘It Comes With a Price.’ Here’s Adam’s breakdown of the single.

“Boomerang 3.0 is the continuation of the series of records describing the platonic relationship between a man and woman who deep down are really in love with each other. The feelings always circle back around. The curveball is Boomerang 3.0 is the same concept but different playing field. The last couple of years being privileged to have a opportunity to work in film, the love for music never leaves, and this record is a perfect example in my return to music off hiatus.” – Adam Dollar$

Listen to the Boomerang 3.0 now.

vince and the valholla empire in the heat of the night king stoneyy

Vince & The Valholla Empire releases part 2 of the evolving single, In the Heat of the Night with Chicago recording artist King Stoneyy

In part 2 of “In the Heat of the Night”, a song by Vince’s rotating collective, Vince & The Valholla Empire and Chicago recording artist King Stoneyy featuring production from Vince Valholla and The Track Burnaz. “I came up with the melody of the production on this song (the bassline) by humming it on a voice note in 2021.”

Listen to the song below on Spotify or Apple Music or any other platform of your choice. Watch the visualizer above. Out now on Valholla Records, a division of Valholla Worldwide Entertainment Group. Listen to Part 1 of In the Heat of the Night here and FOREVER here.

phanatiq logo

Record producer Vince Valholla announces Phanatiq, the fan club of the future, aiming to gamify music.

After years of teasing a venture in tech, record producer Vince Valholla took to social media to unveil Phanatiq, the fan club of the future. Here are more details from Vince on Phanatiq.



Phanatiq is a web/mobile application that Incentivizes music fans who support their favorite artists. This application is geared towards casual and super fans of recording artists and bands. It recognizes them for the level of support that they provide to artists with the purchasing of artist merchandise, concert tickets, and albums. The app introduces a fan leaderboard system that will allow customers the opportunity to compare their ranking with others and compete for the highest ranking which allows the customer access to a greater level of incentives.

It will connect the artists and their labels directly to core fans and allow them the opportunity to provide them with exclusive merchandise and content. It will also provide labels with detailed analytics.

With the advances in technology and the introduction of music streaming, currently, there aren’t as many incentives for fans to buy digital and physical merchandise. With this app, it will be.

Sign up for more details on Phanatiq at valholla.com/phanatiq.

kirby maurier only knew aaliyah

Kirby Maurier releases “Only Knew,” a nod to the late singer Aaliyah via her Island Drive Record label

Singer/Songwriter Kirby Maurier is back with a new single which pay homage to one of her inspirations, the late single Aaliyah. The song is titled “Only Knew” and produced by Vegas Fontaine. The song is the second release from her newly founded record label Island Drive Records, and distributed by Valholla Records. Valholla Chairman Vince Valholla also recently revealed in a tweet that Kirby now owns her entire catalog, including all her previous releases from the Valholla label.


Listen “Only Knew” now on your favorite streaming platform.

Contact

Join the Empire

The future of our label is deeply connected to collaboration. If you are an artist, producer or songwriter and you would like to work with us, please reach out.

Label is the Artist

Our label focuses on the “Label is the Artist” business model. This means our focus is collaboration versus signing artists directly.

Brand Management

We started our management division in 2007 and we are equipped to manage brands, artist and any creative you could think of.

Merchandising

With our partnership with Bleu Vessel, we are able to provide our partners with quality products and introduce unique approach to merchandising.

CALL: 786.509.5759

Contact